Welcome
The Society offers:
- Journal of the American Liszt Society (JALS), published biannually
- The American Liszt Society Newsletter, published biannually
- Annual ALS Festival
- ALS Archives at the Library of Congress
- Local Chapters in various geographical areas
- Publication opportunities in JALS
- Performance opportunities in festivals and in chapter activities
- Paper presentation opportunities at festivals
- Host concerts in the home
- Networking and mutual support among performers, scholars, and music lovers dedicated to the ideas of Liszt
"Liszt in Weimar"
The 2012 ALS Conference in Eugene, Oregon!!
The annual Festival/Conference of The American Liszt Society will take place
May 17 - 20, 2012 at the University of Oregon in Eugene. Under the artistic direction
of Alexandre Dossin, the 2012 Festival is entitled "Liszt in Weimar" and will celebrate
Liszt's great compositional achievements during the prolific Weimar years: the Sonata
in B Minor, symphonic poems, a relatively rare performance of Berlioz's Symphonie
Fantastique for solo piano, and other great works.
The Festival begins Thursday at 8:00pm, with a performance by the Eugene
Symphony Orchestra, conducted by Danail Rachev and featuring pianist Adam
Golka playing the Liszt Concerto No. 1. Also on the program will be the "Hungarian
(Rákóczy) March" from Berlioz's Damnation of Faust, also used by Liszt as the basis for
his Hungarian Rhapsody No. 15, and the Bruckner Symphony No. 6.
The next day's musical activities begin with a concert featuring music of Bach and
Liszt for piano and organ, followed by a lecture on the city of Weimar. A lieder recital
of music by Liszt and Beethoven, and a lecture on Liszt's pianos in Weimar complete
the morning schedule. Following lunch, attendees will be treated to a lecture on "A
New Perspective on Franz Liszt," followed by a presentation on Liszt and the lied.
Jonathan Kregor, newly-named Editor of the Journal of The American Liszt Society, will
then talk about Liszt as musical transcriber, followed by a recital of opera transcriptions
for piano, and then a recital of songs originally composed by Schubert paired with
their transcriptions for piano by Liszt. The evening session begins with a performance
of the Liszt Sonata in B Minor, followed by Alan Walker's lecture, "Who was Carl
Lachmund?". (Lachmund was in fact a student of Liszt and at one time served as
Dean of the University of Oregon School of Music. He will be honored during the
Festival with a posthumous presentation of the Medal of The American Liszt Society.)
A solo piano recital by Antonio Pampa-Baldi, Distinguished Professor of Piano at the
Cleveland Institute of Music, concludes the evening.
Saturday morning begins with a presentation on "Liszt and the Nationalists,"
followed by a lecture on the symphonic poems and then a recital of Liszt's music for
two pianos. After a lunch break, the relationship between Liszt and Berlioz will be
the focus of a lecture and performances of two works by Berlioz, including a solo
piano transcription of the Symphonie Fantastique featuring five different pianists.
"Symbolism in the Sonata in B Minor" is the subject of a paper by Tibor Szasz, read
by ALS President Thomas Mastroianni, followed by a recital of Liszt "favorites"
performed by Luis de Moura Castro. The evening is given over to a master class with
the great American pianist and pedagogue, John Perry, who will work with winners
from the Liszt-Garrison International Festival and Competition, and the Los Angeles
International Liszt Competition, both co-sponsored by The American Liszt Society.
The evening closes with a presentation of the Medal of The American Liszt Society to
family descendants of Carl Lachmund.
The final day of the Festival opens with a recital of music by the little-known composer,
Théodore Gouvy, and a discussion of his musical relationship with Liszt. The University
of Oregon Chamber Choir then presents selections from Liszt's choral music, followed by
a chamber music concert of music by Franck, and Hummel. "Piano Masterworks from Weimar"
starts the afternoon sessions, featuring more Liszt "favorites" from the repertoire.
A performance by the University of Oregon Symphony Orchestra completes the concert
schedule. The final banquet of the 2012 Festival begins at 5:30.
The 2012 Festival is available to ALS members for a late enrollment fee of $90.
Other fee categories are available depending on one's organizational affiliation or student status.
As of march 15, 2012, there is a late registration add-on of $20 in all such categories. The Residence Inn in Eugene
will be the main festival hotel, offering the following options (all including breakfast):
Two-bedroom Suites: two separate bedrooms and shared living room/ kitchen @ $189.00/night;
single-bedroom Suite: $129.00/night; Studio Suite: $109.00/night Transportation
to and from the University of Oregon will be provided by the Festival.
When calling the hotel, please mention the 2012 Festival of The American Liszt Society
and indicate your preference of accommodation. Visit the hotel website for booking
and more information.
Two other options, both of which are walking distance from campus, are also available:
The Excelsior Inn: Single-occupancy rooms
with luxurious, on-site dining (again, mention University of Oregon for details and rates). The Phoenix Inn: Variable room rates and accommodations (again, mention
University of Oregon for details and rates).
For more information, please contact Alexander Schwarzkopf, Housing Coordinator,
2012 Festival of The American Liszt Society For more Festival information and an e-version
of the brochure, please go to 2012 ALS Festival.